I didn’t entirely understand what was bugging me about the director Christopher McElroen’s “Invisible Man” (adapted, by Oren Jacoby, from Ralph Ellison’s 1952 novel; at the Studio Theatre, in Washington) until I saw “Chaplin” (at the Barrymore). And although it . . . (Subscription required.)
SOURCE: The New Yorker at 12:00AM on September 17, 2012