Plays about middle-aged spouses and younger lovers are so common that a playwright has to do a lot to stand out from the crowd. Look at Euripides' Helen, as adapted by Nick Salamone for Getty Villa. Or Michael Hollinger's Ghost-Writer at International City Theatre. Or The Paris Letter at Group Rep. But Athol Fugard's new triangle play, The Blue Iris, disappoints. READ MORE
SOURCE: LA STAGE Times at 07:49PM on September 10, 2012