In the intimate setting of The Space on the Isle of Dogs, Matthew Gould's double bill of new plays was a refreshingly human affair. Investigating the convergence of church and stage, literally (Stage Kiss) and spiritually (Baby Jesus Freak), these divergent plays offered a glimpse at moments of contemporary crisis. Relying on good acting and [...]
SOURCE: A Younger Theatre at 08:02AM on April 20, 2011