If the dozen or so producers of the addiction-and-redemption melodrama High really cared, it would never have gone to Broadway. Instead of raising millions of dollars to stick it in the Booth Theatre, they should have staged an intervention, persuaded the play to seek help and sent it to rehab at New World Stages, where it would have had its five-week run, earned mixed-to-bad notices and closed.
SOURCE: Time Out New York at 09:00AM on April 20, 2011