National Theatre, Olivier: The first thing you see is a row of tents, the encampment outside St Paul's, a world apart from the next scene, where a suited fat cat is moving like an oil slick through his own art gallery (there's an El Greco of Christ driving out the merchants in the temple): it's opening night for the 'Timon' room and everyone wants a piece of him. Read the full review
SOURCE: The Stage at 08:49AM on July 18, 2012