It was a busy spring and I feel like I'm only just caught up before the late-summer crunch begins, but I thought I should point out a few things that have made it into print at the publication I work for by day (and often by night, given its subject). The July/August edition of American Theatre contains two meaty features, one of which I'll claim a little credit for: Wendy Smith's sweeping, fine-grained essay about t…
SOURCE: The Wicked Stage at 01:15PM on July 5, 2012