Photo/Bella MuccariAs it turns out, Wonderful Town isn't all that wonderful: sixty years can be rough on any musical, especially one with a book as chasm-like as the one that's been adapted here by Joseph Field and Jerome Chodorov (from their play, My Sister Eileen, itself adapted from Ruth McKenney's autobiographical New Yorker stories). And while the broad stereotypes that describe the artistic communitie…
SOURCE: That Sounds Cool at 06:53PM on May 21, 2012