Curve, Leicester: I don't think there's a single moment in Philip Ridley's highly acclaimed play when the two characters, Man and Woman, take their eyes off each other. They square up for the contest from opposite ends of a long and intensely lit rectangle of space, outdoing each other in hurling words and in the animal circling, provocation and intensity of courtship. Read the full review
SOURCE: The Stage at 06:13AM on May 14, 2012