What's a feminist spectator to make of an awards show that honors films that have so little to do with women behind the camera or as central to their stories?  Other writers have detailed the appalling lack of women nominated for Best Director this year, after Kathryn Bigelow's historic win for The Hurt Locker in 2011. [...]
SOURCE: The Feminist Spectator at 03:12PM on February 28, 2012