Dance: New York City Ballet at the Kennedy Center
If there's a common thread in George Balanchine's "Who Cares?" and Jerome Robbins's "West Side Story Suite," it's the unmistakably hopeful tone that permeates both classic dances. In the Balanchine, that characteristic manifests as sunny optimism, and in the Robbins piece as naive romanticism, but each work is driven by an undercurrent of the promise of something better. Read full article >>