Little more than a year since The King's Speech hit pay dirt at the Oscars, David Seidler's tale of a prince stuttering between duty and impediment takes to the stage. Rather than a speedy and cynical exploitation of the film's success, the move actually reflects Seidler's original ambition for his story; and while we might reasonably have feared déjà vu and a pale shadow of the film, what we discover is a themat…
SOURCE: The Arts Desk at 02:48AM on March 27, 2012