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Marsha Norman (#123) October, 2006 by American Theatre Wing

Pulitzer Prize-winner Marsha Norman compares the gathering and rituals shared by theatre and houses of worship; explains why she could never have written "'night Mother" now that she's had children; talks about her specific goals in crafting the lyrics for "Lily's Eyes" in "The Secret Garden"; considers whether playwriting has actual rules and can be taught; and compares the story of "The Color Purple" to the classic…

SOURCE: American Theatre Wing at 10:30am on October 23, 2006

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