The Print Room, London: In many respects, taking Alain Robbe-Grillet's 1957 novel, La Jalousie, and adapting it for a dance/sculpture collaboration makes perfect sense. With its strong geometric structure and repetitive surface observations, the writing almost provides a map for artistic interpretation and suits the abstract minimalism of much contemporary work. By sticking too closely to this stark style in eve…
SOURCE: The Stage at 06:38AM on February 13, 2012