After the Three Dialogues, Samuel Beckett tended to embed his aesthetic statements within his drama and fiction themselves, and central to his postwar aesthetic was the “revelation” or “vision” of 1946, dramatized in the 1958 play Krapp’s Last Tape. This dramatization, however, was incomplete, and appears in only a fragmented form in the tape that [...]
SOURCE: Superfluities Redux at 09:02AM on December 13, 2011