One of the paths from Romanticism to Modernism, which I identified as a facet of a reconceived Theatre of Revolt, is a new form of an urban making-strange. It leads to a post-catastrophic world of fragments, fragments which resist meaningful reconstruction: instead, to live within the aftermath of catastrophe, as we all must, we must [...]
SOURCE: Superfluities Redux at 09:02AM on December 7, 2011