BEVERLY — Around the time Modernism crumpled into postmodernism in the second half of the 20th century, the idea that great artists make completely original works of art gave way to a recycling ethos. Artists began to plunder the art historical canon with heightened self-awareness and irony. The lush and uneasy “A Debt to Pleasure’’ at Montserrat College of Art ...
SOURCE: Boston Globe at 01:02PM on March 22, 2011