Some critics recently accused Sean Holmes' Lyric Hammersmith production of Saved of being a touch reverential; of deferring to the text rather than interrogating it. It is an accusation that one would be joyfully hard-pressed to apply to his and Filter Theatre's take on the Dream; from the addition of a 50s doo-wop number courtesy [...]
SOURCE: A Younger Theatre at 10:00AM on November 22, 2011