Last May Daniel Ezralow found himself in a nondescript conference room in a Shanghai hotel, scouting Chinese street dancers. It was an unlikely place for this choreographer, who a little over a month earlier had been consumed by the biggest and most expensive spectacle to hit Broadway in history: "Spider-Man: Turn Off the Dark," for which he had created movement both onstage and in the air. Monthly trips to Shanghai,…
SOURCE: The New York Times at 06:25AM on November 14, 2011