Daisey and His Critics, Round II
You'd expect that Mike Daisey's The Agony and the Ecstasy of Steve Jobs would be controversial for its entirely coincidental timing (in the works for some while, the show had been performed all over the country before arriving at the Public Theater and starting previews the week Jobs' death on Oct. 5) and for its singling out of Apple, and Jobs, as a particularly high-profile exploiter of cheap, immiserated Chinese l…