Assessing orchestra's role in the production by Peter Dobrin
In creating music to go with Tom Stoppard's one-act stage dystopia, Andre Previn chose to imitate Shostakovich, with a little Prokofiev and Bernstein thrown in for good measure.
In creating music to go with Tom Stoppard's one-act stage dystopia, Andre Previn chose to imitate Shostakovich, with a little Prokofiev and Bernstein thrown in for good measure.