Fingernails pierce an eyeball and drain it of fluid. A knife slices into a woman while she’s having sex. A body implodes beneath the tires of a truck. In Irish playwright Mark O’Rowe’s “Terminus,’’ all of these things happen, but not one of them happens onstage. They occur instead in the minds of the audience, the images planted there by ...
SOURCE: Boston Globe at 01:25PM on February 3, 2011