Paul Cava‘s photo-based collages and montages generate juxtapositions of the forbidden, the natural, the technical, and the human. The layered planes of the collages have a tendency to estrange the viewer from the photographic plane most distant from the viewer: the human, Eros, must be sought beneath writing, the natural world, and this technology (airplanes [...]
SOURCE: Superfluities Redux at 08:34AM on September 8, 2011