Does any filmmaker tie music into his movies as well as Darren Aronofksy? His latest, Black Swan, has healthy helpings of the spiraling madness of Pi, The Wrestler's authentically grim look at the cost of being a professional, and the tightly orchestrated rhythms that made Requiem for a Dream so compelling. The end result is slighter, however, in that the film is meant to mirror a fantasy ballet -- that of Swan Lake …
SOURCE: That Sounds Cool at 11:22PM on December 8, 2010