<cite>Hair</cite>, reviewed by Leonard Jacobs
The Public Theater's revival of <cite>Hair</cite> is so spirited in its heart and mind that experiencing it is like sitting atop a promontory—a mesmerizing high. It's sung so buoyantly, with such sincere embrace, that there are moments when the infectious, durable rock score by composer Galt MacDermot and co-lyricists (and book writers) Gerome Ragni and James Rado floats you on air—a delectable high.