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An American perspective by Mark Feeney, Globe Staff

We like to tell ourselves that art is universal, that it transcends such mundane considerations as nationality and place of origin. Yet looking at the 62 black-and-white photographs in “Neal Rantoul: Twenty-Five Years (1980-2005),’’ which runs through Jan. 4 at Panopticon Gallery, one wonders.

SOURCE: Boston Globe at 12:46PM on December 2, 2010

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