BRIAN COX COMMANDS AS JOHANN SEBASTIAN BACH IN “THE SCORE”
Review by Ron Fassler . . . Oliver Cotton’s The Score presents German composer Johann Sebastian Bach (1685-1750) as its primary character: a musical giant of the late Baroque period. As was the fate of his contemporaries, Bach was dutifully tied to the monarchy and aristocracy out of economic necessity and social structure. The Score dramatizes what might have […]