By Ricky Anderson There are moments in the theatre when you can feel the art form stretching. Not snapping, not abandoning itself, but reaching toward something new. That is the sensation you have walking through Masquerade, the immersive reimagining of The Phantom of the Opera now haunting Manhattan. Not because it rejects traditional theatre, but because it occupies […] The post The In-Between Space: Why Masq…
SOURCE: StageLight Magazine at 07:24PM on April 21, 2026