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The Porch on Windy Hill: Building a Space That Holds What Isn't Said by Jack Quinn

I spoke with set designer Andrew Robinson and writer/director Sherry Stregack Lutken about how the porch came into being"not as an object, but as a way of thinking. What follows is a focused exchange about structure, absence, restraint, and memory: how physical choices do emotional work, how collaboration sharpens intention, and how a space can hold what characters"and audiences"aren't yet ready to carry inside. The …

SOURCE: www.theaterscene.net at 08:22PM on February 3, 2026

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