Assembled before our very eyes in the first few moments of Eugene O'Neill's Anna Christie at St. Ann's Warehouse, the play barges in with an impressive, kinetic staging crafted by a formidable cast. It steadily steams forward through thematic turbulent waters, and even if the play itself ultimately feels more resonant in parts than as […] The post Misogyny, Memory, and the Ocean's Pull on Board O'Neill's Anna Chris…
SOURCE: Times Square Chronicles at 12:04AM on January 3, 2026