Reunited with Chenoweth for the first time since "Wicked," Schwartz once again benefits tremendously from a genuine member of Broadway royalty who, roughly two decades ago, as the original Glinda, turned a bunch of prosaic songs into popular ones (critic takes ostentatious bow). While the score for "The Queen of Versailles" will not survive in our collective memory (please, no!), Chenoweth, as always, gives it her co…
SOURCE: www.theaterscene.net at 12:03PM on November 17, 2025