A DARK SERENISSIMA   No pretty biscuit-tin Venice here, but rather its ancient darkness: Jess Curtis' artful set offers stark steps, corners, slotted openings into which half-glimpsed figures come and go; reflections glimmer in the water-shiny floor and backcloth, … Continue reading →
SOURCE: theatrecat.com at 04:12AM on October 14, 2025