Q. How did you get started on this project? A. For years I’d been photographing vernacular roadside architecture in black and white, especially at night. Not just diners, but also movie theaters, drive-ins, motels. These are digital, in color. I work on a tripod, set the camera up, make several exposures: for the shadow area, one for the brightly lit ...
SOURCE: Boston Globe at 01:10PM on November 16, 2010