Fractured Reflection: The Chinese Lady and the Cost of Being Seen She doesn't enter. She appears"still as a painting, but alive, watching. In Lloyd Suh's The Chinese Lady, now haunting the Chance Theater with a whisper that lingers long after curtain, Afong Moy isn't introduced. She's arranged. Composed. A presence to be consumed. A figure […] The post Theater Review: THE CHINESE LADY (Chance Theater) appeared firs…
SOURCE: Stage and Cinema at 10:33PM on May 25, 2025