The room is thick with steam (ok, it's smoke machine smoke), an accordion and clarinet cycle through tunes that are joyfully melancholic, or perhaps melancholically joyful, in the way that only Klezmer music can be, Nick Cassenbaum wanders around in a bathrobe. From the moment I entered The Brick in Williamsburg Brooklyn, I knew I […] The full version of the article The Beauty of Cultural Specificity in "Bubble Sch…
SOURCE: thetheatretimes.com at 10:31AM on April 2, 2025