Thirty-eight years ago, an ambitious young cartoonist named Frank Caruso turned up to the Manhattan offices of King Features for what was meant to be a single day's freelance work. The company owned the rights to several golden-age cartoon characters and needed someone to do a few drawings of the lithesome, flirty, baby-voiced flapper Betty Boop. The one-day gig turned into a few days; those few days turned into a f…
SOURCE: Broadway.com at 03:48PM on March 28, 2025