A new sci-fi gothic horror about life after death is intriguing, but flawed I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of them. But one essential element of any futuristic fantasy must be its power to convince. And it is precisely this that is missing from Lauren Mooney and James Yeatman's More Life, currently in the studio space of the Royal Court.
SOURCE: The Arts Desk at 03:18PM on February 14, 2025