In Doris to Darlene, Jordan Harrison attempted to tell a generation-spanning story through the power and evolution of music (specifically, Wagner); in Amazons and Their Men, he more succinctly linked Greek mythology with Nazi propaganda and escapist fantasy by distilling the essence of film (specifically, Leni Riefenstahl). His latest, Futura, tackles a more modest art form--Paul Renner's modern typography--but ties …
SOURCE: That Sounds Cool at 11:06PM on November 11, 2010