To read PART I of this essay, go to this link.  The snake that Medea uses to make her potion, which is a real snake on stage, is worn by her as a necklace around her own neck " showing that everything that she does, every choice and risk, is known intimately by her. […] The full version of the article Medea as a Border-Body [Part II] is available on The Theatre Times.
SOURCE: thetheatretimes.com at 09:35AM on July 10, 2024