For Part 1 see here. Prologue Center for New Plays Having worked as a dramaturg, theatre critic, and educator for over ten years, Cheng-Han Wu noticed that in recent years, the theatre in Taiwan has been increasingly market-oriented. As a result, playwriting has become dominated by realism, sentimentalism, and linear storytelling, which restrains playwrights from […]
SOURCE: thetheatretimes.com at 04:35AM on June 25, 2024