By Bob Shuman Director Simon Godwin's structured, composed descent into the "defilement of a mind" in Macbeth is objective and clear, filmed unpoetically, Â yet sustained with uniformly standout performances. Â The conception is Brechtian and modern, which allows for hard analysis (the adapter is Emily Burns). Shakespeare's verbal descriptions, which often start scenes, can be envisioned […]
SOURCE: stagevoices.com at 12:04PM on April 29, 2024