Mary, though we don't find out until the very last moment that that's her name, is recording a monologue on her phone, which she's set up on a tripod, and the mechanics baffle her. Media-savvy she isn't, and Thorne's delivery, with stops and starts and stutters, aptly carries the insecurity of one who isn't accustomed to being the center of attention. As directed by Nicholas A. Cotz, she barely moves. She'll pour a g…
SOURCE: TalkinBroadway at 08:17PM on November 17, 2022