(Juan A. RamÃrez's article appeared in The New York Times, 7/31; via Pam Green.) The Ruth Stage's production understands the violence and identity crisis at the core of Brick's character, but other elements fail to cohere. We know from his personal writing (and context clues) that Tennessee Williams was into trade: hypermasculine men who are […]
SOURCE: stagevoices.com at 06:08PM on August 2, 2022