While the play is rooted in its original 1955 period (its language, social mores, references, three-act form), this revival directed by Joe Rosario has attempted to place it in the present from the contemporary set and clothing and such props as cell phones and a great many uses of the f-word. However, without updating the dialogue, the play does not make sense reset in 2022, particularly in its archaic handling of h…
SOURCE: www.theaterscene.net at 10:17PM on July 26, 2022