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PUTTING ON PUPPET SHOWS WITH AN EDGE: DISCOVERING PUPPETEERING CHANGED MARGO LOVELACE"AND THE ART SCENE IN PITTSBURGH. by Robert Shuman

(Susan Orlean's article appeared in the New Yorker, 6/22.) Puppeteering is rarely an obvious career choice, but how Margo Lovelace (1922-2022) came to be a puppeteer is actually quite logical. Beginning in her childhood, in Edgewood, Pennsylvania, she had restless hands; she was always painting or drawing or sculpting or sewing. She also loved to […]

SOURCE: stagevoices.com at 08:54PM on June 24, 2022

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