An entertaining but not quite convincing makeover for a tricky play There probably isn't a more able translator of vintage drama than Martin Crimp, the playwright whose 2004 version of Pierre Marivaux's 1724 play about deceit, greed and sexual politics has been revived at the enterprising Orange Tree. The finale has been slightly tweaked now, which helps repurpose the play as a work with today's interest in gender fl…
SOURCE: The Arts Desk at 08:12AM on June 15, 2022