Gluck's Iphégenie en Tauride doesn't waste any time ushering the viewer into its mystical score. From the start, a musical storm brews in the orchestra pit, bringing Euripides's Greek drama (and trauma) to the fore. In Krzysztof Warlikowski's 2006 staging, the tempestuous overture is contrasted by the more mundane image of elderly women plodding downstage […] The full version of the article A Memory Palace on Taur…
SOURCE: thetheatretimes.com at 04:33AM on October 6, 2021