Does a subjective theatre piece encourage a subjective critical response? I think it might, especially when it's a memory play about dementia, so here goes: First I turn off the lights, then I press play. From the darkness comes jaunty music"it's a dance class. The teacher says, "We're not used to having a man in […] The full version of the article Mark Ravenhill's "Angela" on The Sound Stage is available on The Th…
SOURCE: thetheatretimes.com at 12:11PM on April 24, 2021