SAMUEL BECKETT'S 'HAPPY DAYS' IS TURNING 60. ITS IMAGE OF A TRAPPED WOMAN IS AS POTENT AS EVER
(Claire Thomas's article appeared in the Guardian, 2/22.) I first saw Samuel Beckett's Happy Days at the Malthouse Theatre in Melbourne in 2009. I remember the barren stage and the entombed woman at its centre, whose utterances filled the theatre and carried the content of the play. Happy Days " which turns 60 this year […]