Consider, for instance, the new, widely derided "For Mary Wollstonecraft" monument in London. "Why couldn't a statue of Wollstonecraft, the individual woman, be seen as universally inspiring and iconic? It was hard not to view the monument as a victim of its own good intentions, inadvertently becoming yet another example of a female form as […]
SOURCE: ArtsJournal at 08:06PM on February 19, 2021