SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly turning with a neon-like lamp above your head, appears as a 'seed' of Moving in Concert. How did your imagination evolve from the two successive performances " from this solo to a group choreography? Mette Ingvartsen: There are actually […] The full version of the article Self-Organizing Systems, Stickiness and Men…
SOURCE: thetheatretimes.com at 07:17AM on September 24, 2020